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Michel Ocelot (; born 27 October 1943) is a French , designer, storyboard artist and of and television programs (formerly also , background artist, and other roles in earlier works) and a former president of the International Animated Film Association. Though best known for his 1998 debut feature Kirikou and the Sorceress, his earlier films and television work had already won Césars and British Academy Film Awards among others and he was made a chevalier of the Légion d'honneur on 23 October 2009, presented to him by Agnès Varda who had been promoted to commandeur earlier the same year. In 2015 he got the Lifetime Achievement Award at the World Festival of Animated Film - .


Biography

Education and Short Films (1980s)
He was born in 1943 to a family then in Villefranche-sur-Mer, on the , who relocated to , for much of his childhood, moving back to Anjou in France during his . As a teenager he played with and created productions and was inspired to become an animator through viewing Hermína Týrlová's Vzpoura hraček ( The Revolt of Toys, 1946) and discovering a book on DIY animation. He was never formally taught animation, however, and instead studied the , first at the Ecole régionale des Beaux-Arts in , then the École nationale supérieure des arts décoratifs in and the California Institute of the Arts in . He now lives and operates from an - in Paris.

In 1976, he created the series The Adventures of Gédéon (based on ), then his first professionally produced short film, The Three Inventors, was produced in 1979 by AAA (which also produced Jacques Rouxel, the creator of the ). He received an award at the BAFTA that same year for this film in London.

In 1983, he won the César Award for Best Animated Short Film for The Legend of the Poor Hunchback, also produced by AAA.


Feature Films and Success (1990s-2000s)
In 1994, Michel Ocelot was elected president of the International Animated Film Association (ASIFA) for two terms.

His œuvre is characterised by having worked in a variety of animation techniques, typically employing a different medium for each new project, but almost exclusively within the genres of and fairytale fantasy. Some, such as Kirikou and the Sorceress, are loose adaptations of existing , others are original stories constructed from the "building blocks" of such tales. He describes the process as "I play with balls that innumerable jugglers have already used for countless centuries. These balls, passed down from hand to hand, are not new. But today I'm the one doing the juggling." Visually, they are characterised by a rigid use, excepting brief transitions between them, of the side-on, straight-on and ¾ viewpoints TF1 INFO - Actualités du jour en direct : Actualité en France et à l'International of silhouette and (such as that of

(1996). 9780240515762, .
and ) even when working in mediums which allow for greater flexibility and dynamic viewpoints. Though often likened to Reiniger, he himself finds her films "rather archaic and not very attractive" and does not list them among his favourites. He also admires the art of ancient Egypt, pottery of ancient Greece, and such as , W. Heath Robinson and his brothers and, most of all, . He was president of the Association international du film d'animation (ASIFA) from 1994 to 2000. To celebrate "World Animation Day," Michel Ocelot participated on 28 in a special day on animation techniques at the Forum des Images, in , to conclude the "Animation Film Festival". He demonstrated the simplicity of his techniques live.

While already a household name in much of continental Europe, and greatly respected by 's (who directed Japanese dubs of his films), his success in the more conservative markets of the , and has been restricted by a mixed reaction to the realistic and non-sexual, but nevertheless omnipresent nudity in his breakout film Kirikou and the Sorceress. Although all of these countries' boards of film classification have approved it as being suitable for all ages, cinemas and TV channels have been reluctant to show it due to the possible backlash from offended parents. In 2007, he gained some further recognition within the English-speaking world by directing a for the musician Björk, the lead single from her album Volta.

In another 2008 interview he mentioned as further examples of favourite and influential artistic works Voltaire's letters, The Heron and the Crane, , Father and Daughter, the first part of Grand Illusion, Neighbors, the , Millesgården, Persian miniatures, 's free drawing and illustrations by .


Recognition (2010s)
In 2008, he was awarded an international prize, the Klingsor Award (for his entire body of work) at the Bratislava Animation Biennale (BAB). Archive of BAB laureates, official site bibiana.sk.

Two years later, he created the animated fantasy series Dragons and Princesses for the television channel Canal+ Family, which employs the cut-out paper technique from Princes and Princesses. The following year, he adapted these 10 episodes into a feature film titled Tales of the Night. The film attracted only about 500000 amissionsCommin, Ganne, and Brunner (2017), . but received several nominations at the 2011 Berlinale. In addition, the Henri-Langlois Prize for Animated Film and Moving Image was awarded to him in that same year for his entire body of work. The following year, he concluded his trilogy with Kirikou and the Men and Women. As the title suggests, this time the author focuses on telling stories of villagers rather than animals, as in the second installment. Technically, the filmmaker complemented 2D animation with 3D cinema technology. This project was originally conceived as a six-episode animated series for France Télévisions..

At the end of 2018, he unveiled his fifth animated feature, Dilili in Paris, which tells the adventures of a young Franco- girl in during the Belle Époque. While the filmmaker has fun depicting a visually imagined Paris, with the heroine encountering prominent figures of the time, he also confronts serious and realistic themes, discussing colonialism and racism. The film gathered more than 600000 viewers. and won the César Award for Best Animated Feature in 2019.


Filmography
1974Le Tabac ( "The Newsagent")1 min short film
1976Gideon
( Gédéon)
60 × 5 min TV seriesBased on the by
1979Les 3 Inventeurs
( "The Three Inventors")
13 min short filmCut-out animationBest animated short at the 34th British Academy Film Awards, 1980Zagreb World Festival of Animated Films and 1981 Film Festival (tied with ) Historie 1981
Extract featured in the "Globe Trotting" segment of the 2003 documentary The Animated Century
1981Daughters of Equality
( Les Filles de l'égalité)
1 min short filmTraditional animationSpecial jury prize at the 1982 Film Festival
1982Beyond Oil20 min Cut-out animationAnimated segments only; directed by Philippe Vallois Full transfer from production company aaa
The Legend of the Poor Hunchback
( La Légende du pauvre bossu)
7 min short filmAnimaticBest animated short at the 8th César Awards
1983La Princesse insensible
( "The Impassive Princess")
13 × 4 min TV series [4]Mixed
1987Les Quatre Vœux du Vilain et de sa femme
( "The Four Wishes of Vilain and of His Wife")
5 min short filmTraditional animationFeatured in the 1989 Outrageous Animation compiled and distributed in cinemas and on home video in North America by Expanded Cinema
(1997). 9780786403950, McFarland. .
1989Ciné si8 × 12 min TV seriesMixed silhouette animationBest TV series episode at the 1990 Ottawa International Animation Festival Festival ottawa.awn.com and 1991 Annecy Festival 1991
Compiled into Princes and Princesses
1992Les Contes de la nuit
( "Tales of the Night")
26 min TV specialMixed silhouette animationContains "La Belle Fille et le sorcier" ( "The Beautiful Girl and the Sorcerer"), "Bergère qui danse" ( "The Dancing Shepherdess") and "Le Prince des joyaux" ( "The Prince of Gems")
1998Kirikou and the Sorceress
( Kirikou et la Sorcière)
71 min feature filmDigital traditional animationBest animated feature at the 1999 Annecy Festival; best European feature at the 2002 British Animation Awards (tied with )
2000Princes and Princesses
( Princes et Princesses)
70 min feature filmMixed silhouette animationCompilation movie of Ciné si
2005Kirikou and the Wild Beasts
( Kirikou et les Bêtes sauvages, aka Kirikou and the Wild Beast)
75 min feature filmDigital traditional animationCo-directed with Bénédicte Galup
2006
( Azur et Asmar, aka Azur & Asmar: The Princes' Quest)
90 min feature filmComputer animationBest animated feature at the 2007 Zagreb World Festival of Animated Films
Also serves as voice director for the English version
2007""4 min music video for BjörkMixed live action and animationNominated for best video at the 2007 Q Awards nominations announced q4music.com September 2007
Kirikou et Karaba
( "Kirikou and Karaba")
Play
2008L'Invité aux noces
( "The Wedding Guest")
Original video shortAnimatic
2010Dragons et Princesses
( "Dragons and Princesses")
10 × 13 min TV series for Canal+Computer silhouette animationSpecial award for a TV series at the 2010 Annecy Festival
Compiled into Tales of the Night (2011) and Ivan Tsarevitch and the Changing Princess
2011Tales of the Night
( Les Contes de la nuit)
84 min feature filmComputer silhouette animationCompilation movie of Dragons et Princesses
Premiered in competition for the at the 61st Berlin International Film Festival; played in competition at the 2011 Sitges Film Festival
2012Kirikou and the Men and Women
( Kirikou et les Hommes et les Femmes)
88 min feature filmComputer animation
2016Ivan Tsarevitch and the Changing Princess
( Ivan Tsarévitch et la Princesse Changeante, aka Ivan Tsarevitch and the Changing Princess: Four Enchanting Tales)
53 min feature filmComputer silhouette animationCompilation movie of Dragons et Princesses
2018Dilili in Paris ( Dilili à Paris)Feature filmComputer animation
2022Le Pharaon, le Sauvage et la PrincesseFeature filmComputer animation


Distinctions

Awards
  • BAFTA 1981: BAFTA Award for Best Animated Film for The Three Inventors
  • Festival of Albi 1981: Special Jury Prize for The Daughters of Equality
  • César 1983: César Award for Best Animated Short Film for The Legend of the Poor Hunchback
  • Bratislava Animation Biennial 2008: Klingsor Prize for lifetime achievement
  • Henri Langlois Prize 2011 in the category of Animated Film and Moving Image, for lifetime achievement
  • César 2019: César Award for Best Animated Film for Dilili in Paris
  • Annecy International Animation Film Festival 2022: Honorary Crystal.


Decorations


Notes


Further reading


External links

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